Do scientists recognise and respect beauty? The question is considered at Vienna’s Leopold Museum. B. Reinhold writes that ‘the expressionist Egon Schiele (1890-1918) is one of the most important representatives of Viennese Modernism. He irritates and provokes, and still attracts the attention of the censors one hundred years after his death.’
Schiele attacks popular ideals of beauty, with the primary source of irritation being the starkly depicted nudity and sexuality. Everything baulks at the feeling of sensuality and eroticism.
The pictures have an uneasy physical presence because they are neither voyeuristic nor pornographic.
This art visualizes the massive tensions of his time. Vienna was a center of innovation in science and technology, yet also the capital of the crisis-stricken Habsburg multi-ethnic state. This led to nationalism and ultimately Hitler’s racial fanaticism. The social structure and gender roles started to fluctuate.